Pamplemousse

The Student Literary Journal of Vermont State University

Lindsey Bryant

Poetry, Spring 2023

Bedtime Story | Hedone | Glyph

BEDTIME STORY 

Sensing the bough’s break I’d thrown myself trustingly into the wind
Happy thoughts— you can fly, you can fly
Turns out Tinkerbell was full of shit so I began growing down

After the fall I’d spend mornings picking thorns from my crown of messy
tangled hair & end my days sucking on bleeding thumbs
Hard to differentiate time— sun rarely shined through
the overbearing & impenetrably thick canopy

Desire would find me in this long night— my mouth quivering to a cry
She’d still my bottom lip between her teeth & direct
my attention with the pull of her gentle bite

Close your eyes, honey 
and follow me
I know my way around the dark

That’s how I (be)came— a child of Desire
Breastfed
she taught me kink is a cradle when bending you towards your own will
Lust is a lullaby when sung tenderly and sweetly in your ear &
Pussy is a goddess when prayed to in tongues on bended knee
baptizing you in her holiest water— yes

Desire has always been
the brightest luminary in my night sky &
as she covers me in her weightless blanket
the past leans forward &
kisses the present in a prayer:

Goodnight moon—  I sigh
That’s a good girl— she whispers back


HEDONE 

As a kid I touched everything with the tip of my tongue
Clouds  were cotton candy & marshmallows tasted like kisses
Perhaps that’s why, an adult,
I might lick you to know you’re mine

Frustration bullies me on the back of my tongue
relentlessly bearing down, demanding resistance while locking eyes
Holding this hand of opposition I forcibly submit her 
forward, seductively rolling each finger around the tip of my tongue  

I eat for pleasure

Wringing every drop of ecstasy from your lust-drenched fate, 
scraping my teeth against the bone of your body’s ability to release 
the weight of existence as pleasure—

cum-nursed,
bliss-fed,
eyes-glazing,
wiping my chin—
Oh, please don’t stop
feeding me
I’m starving


GLYPH 

All artists are scab pickers— she thinks,
washing dried blood from her nails
Scars, once pervasive musings—
hand-picked and repeatedly fingered
She watches herself bleed 
to recognize the movement 
of pain
Traces of iron and plasma
wanton to leave a mark
Corporeal plagiarism
borrowed consciousness from pain’s diaspora
The Great Suffering
bleeding new existential lexicons
Enter the next generation of authors

Lindsey Bryant (she/her) is a professional daydreamer, age 40, living and working on a small farm in Alaska with her wife (Meghan) and Old English Sheepdog (Chloe). Follow Lindsey on Twitter @lindseyleighllb.